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When a mainstream artist maldonaso you to be in their video, how important is it to you that it feel like a collaboration? Or that they understand where your work actually comes from? I can usually tell that when people approach me, they know what my talent is. We want to see Wonder Woman on the floor. It makes me feel like they appreciate my talent and not just my name. Wonder Woman probably started around Girl fucked in maldonado can do it all! I fuced myself how to sew about a month and a half ago. Whenever that music comes on, she just becomes a superhero and she just takes over the floor. Where is it all going?

Sometimes there will be auditions where they announce that they are looking for voguers. I want to see it on Broadway. I want to Gigl it done on huge stages, fuckde just popping up in videos here and there. For example, I did a maldnoado about three years ago with a group called CocoRosie. I had this long braid and in one scene my fairy godparents come in and put this high leather boot on me and once they put the boot on the lights go out. The way I could let the art form speak for itself was really beautiful. The whole experience really opened my eyes and made me realize that I could take voguing somewhere else.

I can do more with it. Eventually I want to put together my own one-woman show that sort of explains how I started, where I am now, and where I eventually want to be—but doing by that showing all these different styles of vogue. I personally feel like if I would have been born female, I would be booked way more in America. I would be doing so many videos. If you want a certain kind of talent to be a part of your video, you book the best talent. They worry about the association. They like you, but only from far away. A lot of women are getting involved in the ballroom scene now. I feel like little by little the women are going to be the ones voguing in videos and stuff.

There are women who have been booked to vogue in things like Cirque du Soleil. What would you like to happen next? What do you want for the future? I want to have my own studio. I want to have my own show. I want to also start my own vogue academy. I just recently opened up my house. I feel like the most important thing about me and my house is that I teach them how to love each other, how to support each other, and that ballroom is an extracurricular activity. When it comes to the competitions and things like that, there will always be another one. I teach my kids how to live life and to have a life outside of ballroom.

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They have auditions and they look at their houses more like a dance company and less like a family. People want to be a part of certain houses because it can help them get them bookings. I think everybody has potential.


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Makdonado show is set in Brooklyn in the early s. Like, I remember going around and seeing like literally a hole in the wall and somebody selling something out of it. It was hustlers all over Harlem, and energy was live. People was out here. They had some rough elements to it, but I always felt loved even being in the projects. A lot of the old communities are out of there. Can you recall a time where you were thrown into something after not having done it for a really long time and having to navigate the world all over again? Having roots in the West and East Coasts, how did it shape your musical tastes?

Growing up on the West coast, I listened to a bunch of East Coast stuff. Like when the mixtapes used to find the cats selling on the corner for like five dollars. I feel like I broke the record. I literally remember bringing those CDs back and my boys like, yo, like back then, everything took a while to go from the East Coast to West Coast back in the day. So man it was dope. What do you think each person from the people that you mentioned from Tiffany, Cedric, Tracy and yourself brings to The Last O. And let somebody else say it, they go into jail. Same thing with Tiffany. They share the same type of energy and people relate to their honesty.

Did you ever consider going into music? I actually have a music company, Get It Done Records. I began to partner with some of these publishing companies that really focused on TV and film placement. I saw that it was money in it because people tend to overlook that things, commercials, movies, television shows — all these things need music. How does rapping in the booth versus acting on set challenge you differently in creative ways? I remember recording like 17 songs in like three days. I have an obsessive personality. But when it comes to music, when I dial in, I just go on, and I like to just knock out [songs]. I usually record stuff all by myself most of the time.

A bunch of records in a couple of days, just being in my zone. What made acting take precedence? Acting came first, and then in the early s, all the rappers was getting all the acting roles, so I was like, I might as well rap. Who are some of your hip-hop idols? If I could rap like anybody today, it would be Jadakiss.

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